1 | 2009/02 | Heft | ? |
| Cover | Ariel Olivetti | 1 |
| | von Cable Vol. II #1 | |
| Ti: | Kriegskind 1/5 | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Divided We Stand Tie-in: War Baby 1/5 | 23* |
| OH: | Cable (II) #1 | |
| Ti: | Kriegskind 2/5 | 24 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Divided We Stand Tie-in: War Baby 2/5 | 25* |
| OH: | Cable (II) #2 | |
| Ti: | Kriegskind 3/5 | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Divided We Stand Tie-in: War Baby 3/5 | 23* |
| OH: | Cable (II) #3 | |
| Ti: | Kriegskind 4/5 | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Divided We Stand Tie-in: War Baby 4/5 | 23* |
| OH: | Cable (II) #4 | |
| Ti: | Kriegskind 5/5 | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | War Baby 5/5 | 23* |
| OH: | Cable (II) #5 | |
| Ft: | Feature(s) | |
2 | 2009/08 | Heft | €12,95 |
| Cover | Adi Granov | 1 |
| | von Cable Vol. II #6 | |
| Ti: | Heimatfront | 32 |
| Cr: | W: Duane Swierczynski - P/L: Michel Lacombe, Ariel Olivetti - I/F: Michel Lacombe - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti, Val Staples - Ed: Axel Alonso - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Homefront | 33* |
| OH: | Cable (II) #6 | |
| Ti: | Die Wolfshöhle | 43 |
| Cr: | W: Duane Swierczynski - P/L: Kenneth W. Lashley - I/F: Paul Neary - L: Cory Petit, Virtual Calligraphy - C: Frank G. D'Armata - Ed: Nick Lowe - AsiEd: Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | The wolf pit | 44* |
| OH: | King-Size Cable Spectacular #1 | |
| Ti: | Jäger und Killer | 10 |
| Cr: | W: Jason Aaron - P/L: Werther Dell'Edera - I/F: Antonio Fuso - L: Blambot, Nathan Piekos - C: Andrew Crossley - Ed: Aubrey Sitterson - E-i-C: Joe Quesada - Pub: Dan Buckley - GrpEd: Axel Alonso - Ü:Michael Strittmatter | |
| Pe: | Warpath | |
| OT: | Hunters and killers | 10 |
| OH: | X-Force Special: Ain't No Dog #1 | |
| Ft: | Feature(s) | |
3 | 2009/12 | Heft | €16,95 |
| Cover | Ariel Olivetti | 1 |
| | von Cable Vol. II #10 | |
| Ti: | Warten auf das Ende der Welt 3/4: Der letzte Ort auf Erden | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner, Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Waiting for the End of the World 1/4: The last place on Earth | 23* |
| OH: | Cable (II) #7 | |
| Ti: | Warten auf das Ende der Welt 2/4: Invasion | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner, Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Waiting for the End of the World 2/4: Invasion, U.S.A. | 23* |
| OH: | Cable (II) #8 | |
| Ti: | Warten auf das Ende der Welt 3/4: Kleine Auslöser | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner, Will Panzo - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Waiting for the End of the World 3/4: Little triggers | 23* |
| OH: | Cable (II) #9 | |
| Ti: | Warten auf das Ende der Welt 4/4: Die letzte Hoffnung | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Waiting for the End of the World 4/4: The last Hope | 23* |
| OH: | Cable (II) #10 | |
| Ti: | Wüsten-Blues 1/2 | 22 |
| Cr: | W: Duane Swierczynski - P/L: Jamie McKelvie, Ariel Olivetti - I/F: Jamie McKelvie - L: Joe Caramagna, Virtual Calligraphy - C: Guru eFX, Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Wasteland Blues 1/2 | 23* |
| OH: | Cable (II) #11 | |
| Ti: | Wüsten-Blues Finale | 22 |
| Cr: | W: Duane Swierczynski - P/L: Jamie McKelvie, Ariel Olivetti - I/F: Jamie McKelvie - L: Joe Caramagna, Virtual Calligraphy - C: Guru eFX, Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - Ü:Michael Strittmatter | |
| OT: | Wasteland Blues 2/2: Conclusion | 23* |
| OH: | Cable (II) #12 | |
| Ft: | Feature(s) | |
4 | 2010/04 | Heft | €12,95 |
| Cover | Kaare Andrews | 1 |
| | von X-Force / Cable: Messiah War #1 | |
| Ti: | Messias-Krieg 1/7 | 33 |
| Cr: | W: Craig Kyle, Christopher Yost - P/L: Michael Choi - I/F: Michael Choi - L: Cory Petit, Virtual Calligraphy - C: Sonia Oback - Ed: John Barber - AsiEd: Jody LeHeup - E-i-C: Joe Quesada - Prod: Joe Sabino - Pub: Dan Buckley - ExecEd: Axel Alonso - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Messiah War 1/7 | 34* |
| OH: | X-Force/Cable: Messiah War #1 | |
| Ti: | Messias-Krieg 2/7 | 22 |
| Cr: | W: Duane Swierczynski - P/L: Ariel Olivetti - I/F: [N.A.] - L: Joe Caramagna, Virtual Calligraphy - C: Ariel Olivetti - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Prod: Joe Sabino - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Messiah War 2/7 | 23* |
| OH: | Cable (II) #13 | |
| Ti: | Messias-Krieg 3/7 | 24 |
| Cr: | W: Craig Kyle, Christopher Yost - P/L: Clayton Crain - I/F: [N.A.] - L: Cory Petit, Virtual Calligraphy - C: Clayton Crain - Ed: John Barber - AsiEd: Jody LeHeup - E-i-C: Joe Quesada - Prod: Joe Sabino - Pub: Dan Buckley - ExecEd: Axel Alonso - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Messiah War 3/7 | 25* |
| OH: | X-Force (III) #14 | |
| Ft: | Feature(s) | |
5 | 2010/08 | Heft | €14,95 |
| Cover | David Wilkins | 1 |
| | von Cable Vol. II #20 | |
| Ti: | Zu spät für Tränen 1/2 | 23* |
| Cr: | W: Duane Swierczynski - P/L: Paul Gulacy - I/F: Paul Gulacy - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Too Late for Tears 1/2 | 23* |
| OH: | Cable (II) #16 | |
| Ti: | Zu spät für Tränen 2/2 | 23 |
| Cr: | W: Duane Swierczynski - P/L: Paul Gulacy - I/F: Paul Gulacy - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Too Late for Tears 2/2: Conclusion | 24* |
| OH: | Cable (II) #17 | |
| Ti: | Die Brut 1/3: Läufer schlägt Bauer | 22 |
| Cr: | W: Duane Swierczynski - P/L: Gabriel Guzman - I/F: Gabriel Guzman - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Brood 1/3: Bishop takes pawn | 23* |
| OH: | Cable (II) #18 | |
| Ti: | Die Brut 2/3: Königin nimmt Läufer | 22 |
| Cr: | W: Duane Swierczynski - P/L: Gabriel Guzman - I/F: Mariano Taibo - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Brood 2/3: Queen takes Bishop | 23* |
| OH: | Cable (II) #19 | |
| Ti: | Die Brut 3/3: Schachmatt | 22 |
| Cr: | W: Duane Swierczynski - P/L: Gabriel Guzman - I/F: Mariano Taibo - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Brood 3/3: Checkmate | 23* |
| OH: | Cable (II) #20 | |
| Ft: | Feature(s) | |
6 | 2010/12 | Heft | €19,95 |
| Cover | Marko Djurdjevic | 1 |
| | von Cable Vol. II #23 | |
| Ti: | Ein Mädchen namens Hope 1/4 | 7* |
| Cr: | W: Duane Swierczynski - P/L: Steve Dillon - I/F: Steve Dillon - L: Joe Sabino, Virtual Calligraphy - C: Matthew Hollingsworth - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| Pe: | Cable, Spalding-Summers Hope | |
| OT: | A Girl called Hope 1/4 | 6 |
| OH: | X-Men: Hope #1 | |
| Ti: | Ein Mädchen namens Hope 2/4 | 6 |
| Cr: | W: Duane Swierczynski - P/L: Steve Dillon - I/F: Steve Dillon - L: Joe Sabino, Virtual Calligraphy - C: Matthew Hollingsworth - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| Pe: | Cable, Spalding-Summers Hope | |
| OT: | A Girl called Hope 2/4 | 6 |
| OH: | X-Men: Hope #1 | |
| Ti: | Ein Mädchen namens Hope 3/4 | 6 |
| Cr: | W: Duane Swierczynski - P/L: Steve Dillon - I/F: Steve Dillon - L: Joe Sabino, Virtual Calligraphy - C: Matthew Hollingsworth - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| Pe: | Cable, Spalding-Summers Hope | |
| OT: | A Girl called Hope 3/4 | 6 |
| OH: | X-Men: Hope #1 | |
| Ti: | Ein Mädchen namens Hope 4/4 | 6 |
| Cr: | W: Duane Swierczynski - P/L: Steve Dillon - I/F: Steve Dillon - L: Joe Sabino, Virtual Calligraphy - C: Matthew Hollingsworth - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| Pe: | Cable, Spalding-Summers Hope | |
| OT: | A Girl called Hope 4/4 | 6 |
| OH: | X-Men: Hope #1 | |
| OA: | Story continues in Cable (II) #21 | |
| Ti: | Heimkehr (B) 1/4: Der lange Schlaf / Ratte am Spiess / Die letzte Chance, es zu richten | 34 (10-12-12) |
| Cr: | W: Duane Swierczynski - P/L: Paul Gulacy, Lan Medina, Humberto Ramos - I/F: Robert Campanella, Carlos Cuevas, Paul Gulacy - L: Joe Caramagna, Virtual Calligraphy - C: Edgar Delgado, Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Homecoming (D) 1/4: The long sleep / Rat on a stick / One last chance to get it right | 35* (11-12-12) |
| OH: | Cable (II) #21 | |
| Ti: | Heimkehr (B) 2/4: Mannahatta / Die Zukunft | 22 (10-12) |
| Cr: | W: Duane Swierczynski - P/L: Gabriel Guzman - I/F: Gabriel Guzman - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Homecoming (D) 2/4: Chapter 4: Mannahatta / Chapter 5: Future tense | 23* (11*-12) |
| OH: | Cable (II) #22 | |
| Ti: | Heimkehr (B) 3/4: Schwer bewaffnete Girls / Baby, you're out of time | 22 (10-12) |
| Cr: | W: Duane Swierczynski - P/L: Gabriel Guzman - I/F: Mariano Taibo - L: Joe Caramagna, Virtual Calligraphy - C: Thomas Mason - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Homecoming (D) 3/4: Chapter 6: Girls with guns / Chapter 7: Baby, you're out of time | 23* (11*-12) |
| OH: | Cable (II) #23 | |
| Ti: | Heimkehr (B) 4/4: Der Kampf im Central Park | 36 (12) |
| Cr: | W: Duane Swierczynski - P/L: George Caragonne - I/F: George Caragonne - L: Joe Caramagna, Virtual Calligraphy - C: Peter Pantazis - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| OT: | Homecoming (D) 4/4: Chapter 8: The battle of Central Park | 37* (13*) |
| OH: | Cable (II) #24 | |
| Ti: | Heimkehr (B) 4/4: Cables letzter Kampf | (14) (14) |
| Cr: | W: Duane Swierczynski - P/L: Alejandro Garza - I/F: Alejandro Garza - L: Joe Caramagna, Virtual Calligraphy - C: Peter Pantazis - Ü:Michael Strittmatter | |
| OT: | Chapter 9: Cable's last stand | (14) |
| OH: | Cable (II) #24 | |
| Ti: | Heimkehr (B) 4/4: Zu Hause | (10) (10) |
| Cr: | W: Duane Swierczynski - P/L: Dennis B. Cowan - I/F: Sandu Florea - L: Joe Caramagna, Virtual Calligraphy - C: Peter Pantazis - Ü:Michael Strittmatter | |
| OT: | Chapter 10: Home | (10) |
| OH: | Cable (II) #24 | |
| Ti: | Deadpool und Cable: Zwei Mutanten und ein Baby | 33 |
| Cr: | W: Duane Swierczynski - P/L: Paco Medina - I/F: Juan Vlasco - L: Joe Caramagna, Virtual Calligraphy - C: Edgar Delgado - Ed: Axel Alonso - AsiEd: Sebastian Girner - E-i-C: Joe Quesada - Pub: Dan Buckley - ExecProd: Alan Fine - Ü:Michael Strittmatter | |
| Pe: | Cable, Deadpool | |
| OT: | Two mutants and a baby | 33 |
| OH: | Cable (II) #25 | |
| OA: | Story takes place during the Messiah Complex (B) | |
| Ft: | Feature(s) | |